MuSA 2013 Schedule of events
Institut für Musikwissenschaft und Musikinformatik (IMWI)
MuSA 2013 Schedule of events
Institut für Musikwissenschaft und Musikinformatik (IMWI)
Friday, 24th May 2013
18:30 Registration MUT Foyer
19:30 Reception - MUT Foyer
Saturday, 25th May 2013
9:30 Registration - Schloss Gottesaue Hörsaal
10:00 Welcome and Introduction - Schloss Gottesaue Hörsaal
Session 1 (20th-century Music and Aesthetics)
Chair: Dr John Dack
10:15 Dr Francis Heery
Morton Feldman and the Aesthetics of ‘Surface
10:45 Luisa Balaguer
Universidad Internacional de Andalucía, Spain
Lachenmann’s Gran Torso: A Phenomenological Approach
11:15 Matthew Sergeant
Royal Northern College of Music, UK
Invoking the Interface of the Fantastic: Todorov, Music and Composition
Break (15 Minutes)
Session 2 (Artistic Research 1)
Chair: Prof Dr Mine Doğantan-Dack
12:00 Dr Miroslav Spasov
University of Keele, UK
Sabda Vidya – Composing that Involves Software/Machine Agency
12:30 Dr Nina Whiteman
Royal Northern College of Music, UK
From the Scientific to the Sonic: Compositional and Performative Approaches in DNA for Solo Voice
13:00 Dr Hilary Mullaney
Plymouth University, UK; DkIT, Ireland
The Composer isn’t There: a Personal Exploration of Place in Fixed Media Composition
Lunch 13.30-14.30
(packed lunch to be provided for delegates)
14:30-15:30 Keynote Presentation – Philippe Manoury
Chair: Prof Dr Thomas Troge
Break (15 minutes)
Session 3 (Issues in Musical Performance)
Chair: Dr Miroslav Spasov
15:45 Dr John Dack
Middlesex University, UK
Can a sine-tone be ausdrucksvoll?
16:15 Jane Dickson & Dr Sebastian Lexer
University of East Anglia, UK (SL)
The Role of Virtuosity in Electroacoustic Performance
16:45 Prof Dr Per Dahl
University of Stavanger, Norway
Lost in Translation? A Listener’s Perspective on Musical Performance
19:30 SYMPOSIUM CONCERT
venue: MUTProbe 1
Works by MuSA-delegates and members of IMWI
20:00 Pre-symposium Concert
venue: MUTProbe 1
Works by Philippe Manoury
Le Prélude, pièce électroacoustique d'après K...
Scène 9, pièce électroacoustique d'après K...
Jupiter, for flute and live-electronics
Flute, Eve Cambreling
Sound Director, Philippe Manoury
Sunday 26th May, 2013
Session 4 (Philosophical and Critical Approaches)
Chair: Dr Miroslav Spasov
10:00 Dr Adam Stansbie
University of Sheffield, UK
Concrete or Concrète?: An Ontological Account of Acousmatic Music
10:30 Dr Robert Dow
University of Edinburgh, UK
The Spectre of the Composer: Self-inscription in Musique Concrète
11:00 Prof Dr Mine Doğantan-Dack
Middlesex University, UK
Tactile Cultures and the Aesthetics of Pianistic Touch
Break (15 minutes)
Session 5 (Perspectives from the Far East)
Chair: Christoph Seibert
11:45 Dr Katsura Koishi
Kyoto University, Japan
The Symphony and the Japanese: 50 Years of Classical CD Consumption in Japan
12:15 Prof Dr Kiu Tung Poon
University of Saint Joseph, Macau, China
Chinese‐Western Syncretism: On Performing the Piano Works of Chen Yi
Lunch 12.45-14.00
(packed lunch to be provided for delegates)
Session 6 (Artistic research 2)
Chair: Dr John Dack
14:00 Vincent Wikström
Institut für Musikwissenschaft und Musikinformatik, Karlsruhe, Germany
Mimetic Sound Composition: A Compositional Concept
14:30 Bernd Härpfer
Institut für Musikwissenschaft und Musikinformatik, Karlsruhe, Germany
Steps Towards an Integrated Computational Paradigm of Musical Meter
Break (15 Minutes)
Session 7
Chair: Prof Dr Mine Doğantan-Dack
15:15 Elena Anisimova
Institut für Musikwissenschaft und Musikinformatik, Karlsruhe, Germany
Historical Development of Audio-visual Interaction and its Psychophysiological Bases
15:45 Gregorio Karman
University of Huddersfield, UK
The Well-Tempered Tapesichordist: On the Art of Domestic Sound Composition in the Cradle of the DNA revolution.
16:15 Conclusion of MuSA 2013